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Even before jazz, for most New Orleanians, music was not a luxury as it often is elsewhere—it was a necessity. Throughout the nineteenth century, diverse ethnic and racial groups — French, Spanish, and African, Italian, German, and Irish — found common cause in their love of music. The s represented the culmination of a century of music making in the Crescent City. Just after the beginning of the new century, jazz began to emerge as part of a broad musical revolution encompassing ragtime, blues, spirituals, marches, and the popular fare of "Tin Pan Alley.
The early development of jazz in New Orleans is most associated with the popularity of bandleader Charles "Buddy" Bolden, an "uptown" cornetist whose charisma and musical power became legendary. During the next decade he built a loyal following, entertaining dancers throughout the city especially at Funky Butt Hall, which also doubled as a church, and at Johnson and Lincoln Parks. In he collapsed while performing in a street parade.
The following year he was institutionalized at the state sanitarium at Jackson for the remainder of his life. During the nineteenth century, string bands, led by violinists, had dominated dance work, offering waltzes, quadrilles, polkas, and schottisches to a polite dancing public.
By the turn of the century, an instrumentation borrowing from both brass marching bands and string bands was predominant: usually a front line of cornet, clarinet, and trombone with a rhythm section of guitar, bass, and drums. Dance audiences, especially the younger ones, wanted more excitement. The emergence of ragtime, blues and later, jazz satisfied this demand. Increasingly, musicians began to redefine roles, moving away from sight-reading toward playing by ear. Each member could offer suggestions for enhancing a piece of music, subject to the approval of the leader.
Gradually, New Orleans jazzmen became known for a style of blending improvised parts—sometimes referred to as "collective improvisation". It appealed to younger players and dancers alike because it permitted greater freedom of expression, spontaneity, and fun. After Bolden, several bands competed for control of the "ratty" as it was called music market.